First, about that little inspirational blog I mentioned earlier. It belongs to a couple of insanely talented brothers, Fabio Moon and Gabriel Ba. Lets say I was... unhappy... with my situation. I decided it was time to stop f*cking around, but I wasn't sure... how? Then I came across [http://fabioandgabriel.blogspot.com]
Click [here] to see the archive of strips on storytelling. At the very least, they're bound to make you smile. Since then, I've drawn more pages and probably more often than I have in my entire life.
Now of course, it's putting it simply to say that everything changed overnight, but this was definitely the immediate catalyst, and more importantly, right when I needed it. A few months early and maybe nothing would have clicked. There's a quote from Eduardo Risso that I've used before, but here it is again, for posterity. To me, it sums up how I feel:
"Advice can only go so far. Each must become an artist through their own experience. The only question a person needs to answer for themselves is whether they really like the career they're about to embark on. And that's true of any profession. Because there will be moments when the work surpasses your expectations and there will be moments when it doesn't meet them, but once you reach a certain level of maturity, your work will be mobilized by the passion you feel for it."
I'm bound to fail. More than a few times. I've given up this notion that the first book I put out will be an Incredible Masterpiece. The grown-up in me knows there's long hard work ahead. But that same grown-up also knows that success is inevitable. The only person that can deny that to me, is me.
Now I figure while I'm plugging a blog, I might as well plug sommore.
My buddy Jason Latour is trying to drum up some interest in the book he's been doing with my Jackie Karma/76 writer B. Clay Moore by posting the first 4 issues of Expatriate on his blog. Yeap, to read. for free. In serialized bits! Bits are yummy. It's beautiful stuff, [check it out from the beginning].
Also, friend and mentor Eric Canete is back online with his blog [Discard], which you all need to see and be in awe of.
No doubt swept up in the feeling, superstar Sam Liu has updated his site for the first time in... 4 years? [GO SEE]
Ok so maybe now you're wondering... "mentor"? Who talks like that? What does that even MEAN?
So here I was, a 17(?) year old lil punk with these godawful Battlechasers sample pages. I *thought* I was doing this really rad John Byrne/Jim Lee/Joe Mad thing and also, that I was awesome. None of those statements turned out to be true. It's my first San Diego Comic Con ever, and I'm getting all these pros to sign or draw on my portfolio folder. I find Eric Canete's table, who I was a fan of only by virtue of being semi introduced to him online and seeing all of.. ONE sketch. It was a pretty awesome sketch. So he's drawing this awesome Cyclops (which he got so into he started drawing on top of the James O'Barr Crow doodle) - and I'm just making lame fanboy conversation:
me: "Where do you work out of?"
e: "Podunk"
me: "...!"
me: "I live in Podunk too!"
e: "oh yeh? here's my card, come over sometime."
me: "...!!"
Turns out we lived less than 5 minutes drive away from each other in "Podunk." Those years were in no small way shaped by the generosity of this man. I could go on, but it would just be embarrassing to start gushing, so I won't. Let's just say if fate hadn't intervened, I could be a lot worse off than I am now. So yeah. The least you could do is check out his blog.
Ok. Here's some art. These are a couple tiers of the 5 page story I did for Ellipses magazine. The issue hits next month, and I'll probably post the pages at some point after that.
Pencils -

Inks -

Final -

And that's that. If you've made it this far, Congratulations! Come find me at SDCC this year and I will buy you a cupcake.
April 22 2006, 18:26:57 UTC 6 years ago
April 23 2006, 03:02:27 UTC 6 years ago
April 23 2006, 03:44:17 UTC 6 years ago
I just had a cupcake... without you.
April 24 2006, 01:49:36 UTC 6 years ago
And Mr. Canete is THE BOMB. Totally. We need to gang up and make him post higher res stuff on Discard.
April 22 2006, 18:57:29 UTC 6 years ago
April 23 2006, 03:02:52 UTC 6 years ago
April 24 2006, 01:50:46 UTC 6 years ago
April 22 2006, 19:11:25 UTC 6 years ago
TG
April 23 2006, 03:03:32 UTC 6 years ago
April 22 2006, 19:13:28 UTC 6 years ago
and my weener.
April 23 2006, 03:03:47 UTC 6 years ago
April 22 2006, 23:02:07 UTC 6 years ago
the strip you posted is pretty nice! please post more of your progress work =) it's fascinating to me how people approach projects [plus i'm in the process of learning to do sequential work -- argh!].
and finally, awesome links, sir! i'm rubbing my eyes in astonishment that mr. liu updated! hooray!
ps | please save a moldy, squashed cupcake for me when i finally can make it to a sdcc in the near future.
April 23 2006, 03:06:20 UTC 6 years ago
April 24 2006, 01:48:29 UTC 6 years ago
April 24 2006, 04:44:15 UTC 6 years ago
Seriously -- i think I sent you a colored image of Superman in a really ultra-ultra-dynamic-flying-through-the-a
I think you called me a "brave man" or something to that effect at the time & you were off to ebay to sell stuff.
I remember going to SDCC03 trying to see if you were there just to chat, & the portly fellow at the Cartoon Militia group said you were going to be there later or but to no avail. He even gave me his contact to contribute to his books but i was too shy to inquire later on.
Anyways if you're not going to gush about Canete (who'me i thought pronounced Kuh-Nay) i suppose i will.
The guy is a completely down to earth, cerebal, artistic virtuoso & lovable HUMANITARIAN. I spoke to pretty much all the BVS cats & was astounded by how welcoming they were -- although i have to say i was most astonished by how generous Kah-Ne-te's advice on presentation & layout of sequential/illustrative art is meant to be.
In school I used to read his incredibly cerebral interpretations on the old Aeon Flux BBS & as well as obsessively *right click, saving-as* his superbly twisted art that inspired me greatly still to this day-- & to find out he was Filipino just completely FLOORED me. Not to be on the AzN tip but that made me so proud to be a Filipino-American comicbook (in time) artist.
I talked to all the BVS cat's & pretty much bought everything they sold hahaha. At this point i'm rambling but i should post up the sketches they drew in my books on SGB.
They all gave me their contacts but I was deathly afraid to write back cause I was a teen with horrible acne & horrible art. Although the acne is cleared the up art is still SHITE.
OK OK last last tidbit -- in responce to the Risso quote; what i've found is that good ORIGINAL art comes from solitary confinement outside of what anyone else has to say or think -- when you're in a meditative state of creating you really can't think "critically" but rather you should *not think* & *just draw* (in this case)
Personally when i do that -- for 50% of the time if i can trudge through the first 30 minutes-1 hour of drawing without "thinking" so much you reach an apex in which you get to think critically about how to lay out/complete the drawing forcing yourself to finalize the piece. Not incredibly articulate way of explaining it but i hope i delivered the gist of it.
Basically, "don't think for 50%; think for the last 50%" -- or 60/40 or 70/30 80/20 etc.
I still haven't found my style cause i haven't applied this theory too much -- however this your post just made me realize it. If i keep thinking critically in the first few steps it makes me become mentally decrepit to the point where I abondon it, & find myself in an abysmall picasso of mirrored repititions thinking i can get it in the first minute -- always thinking speed was KEY. Boy was i wrong (to a degree.) Which is why i always threw out dozens of pages within minutes.
I just need to shut up & man up i suppose.
That was an incredibly long drawn out neurotic responce, eh?
Finally the pages up top are great (look forward to seeing more) -- my favorite being the climbing panels. You can use a whiteout pen to put little lights in the buildings too! Antennas!!
PS: BuggleFug is spot on, btw!
April 24 2006, 04:46:28 UTC 6 years ago
April 25 2006, 04:44:49 UTC 6 years ago
as for the little lights - well for one, it's afternoon. =P also, I kind of envisioned the story as something like a stage play, and a simple sort of stage set. a tree, and a backdrop. there's really nothing else around in the story, no other trees, no hills... nada. obviously the shots aren't "stage" shots, but hopefully I got that across. we'll see. =P
Anonymous
April 24 2006, 22:48:06 UTC 6 years ago
Fábio Moon
p.s: I like your inks, they really make your pages clear and very readable. Nice Style.
April 25 2006, 04:50:12 UTC 6 years ago
April 27 2006, 00:51:56 UTC 6 years ago
wow and your friend jason latour is really awesome too. is he the guy who did those other pages that you showed me about jackie karma?
damnn that first sketch eric did is phenomenal and yea you're right he only got better and better no wonder he is such an excellent mentor and inspiration yea.
+your ellipses comic owns. that's a fact jackkk. and giving us process caps is an even more delicious treat :D
April 28 2006, 04:04:35 UTC 6 years ago